A Virtual Conference and Film Festival
Conference Dates: May 22–25, 2025
View the Conference Program
Location: Online in Zoom, Gather, and New Art City
Proposal Submission Deadline: 20 April 2025. Submit proposals here.
Proposal Acceptance Notifications: running, but no later than 22 April 2025.
RENEW A MEMBERSHIP OR JOIN THE KENNETH BURKE SOCIETY HERE (All presenters must be current members of the Kenneth Burke Society)
Post your thoughts, favorite quotations, stories, memes, images, recordings, and more leading up to and after the conference!
https://bit.ly/kb-commonplace-book
The call for nominations for Kenneth Burke Society Awards will be announced after the conference, including newly approved ones.
Attending KBS 2025 will be free for all attendees. Presenters must be members of the Kenneth Burke Society. Not yet a member? Student memberships are only $10 annually, and regular memberships are only $25!
>> Join the Kenneth Burke Society (KB Journal)
The 12th Triennial Conference of the Kenneth Burke Society welcomes proposals that focus on any Burkean subject. Proposals that address the conference theme, “Kenneth Burke, the Humanities, and Agency in the Era of AI,” are especially welcome. The conference will be hosted by the Kenneth Burke Society, Parlor Press, and Clemson University, from May 22 to May 25, 2025. In addition to lively presentations, performances, exhibits, a film festival, games, and unending conversation in the parlor, KBS 2025 will also feature a virtual exhibition space in New Art City that features presentations, installations, art, and video.
Daniel Plate and James Hutson argue that we must view AI “not merely as a technological tool, but as a powerful extension of our symbolic lives, with profound ethical implications” (“Reclaiming the Symbol: Ethics, Rhetoric, and the Humanistic Integration of GAI: A Burkean Perspective,” p. 69). They view AI as an extension of human symbolic action and argue for a balanced approach to its use, which can potentially bridge the divide between humanistic inquiry (what Burke advocates) and continuing digital innovation. Is it possible to view AI as anything other than an adversary of the humanities (especially since AI isn’t going anywhere soon)? Plate and Hutson argue that it is possible to develop a more nuanced understanding of AI by viewing this technology specifically within the context of Burkean rhetorical theory. The LLMs that fuel generative (and textual) AI may enable contextually coherent and persuasive or informative predictions, so how might this generative capacity be differentiated from what Burke calls the entelichial nature of language, our efforts to track down the implications of a terminology (dramatism, terministic screens), or the idea that language does our thinking for us. What might Burke have thought of the technological, linguistically infused golems of generative AI? How does or might generative AI transform (for better or worse) the understanding and value of the humanities? What’s the difference between human and AI agency? What acts might human-AI agency or agents perform? This theme welcomes presentations that offer Burkean readings of AI, which collectively may attest to the importance of the humanities in guiding our ethical and creative uses of AI technology.
“I expect AI to be capable of superhuman persuasion well before it is superhuman at general intelligence," ChatGPT CEO Sam Altman tweeted on X (formerly Twitter) in October of 2023, "which may lead to some very strange outcomes." We welcome proposals for individual presentations, panels, flash talks, Film Festival entry, critical AI projects installations, games, BAHFest presentations, or seminars that explore them:
As with prior KBS conferences, we also welcome proposals from all disciplines—and all students and scholars of Kenneth Burke’s work.
Throughout the conference, a combination of keynote speakers, featured presenters, and performers will explore these topics and more. Keynote speakers will be announced in April 2025.
We invite proposals for individual presentations, panels, flash talks, Film Festival entries, critical AI projects installations, games, BAHFest presentations, or seminars exploring the above ideas and concerns. Proposals should be submitted in Submittable HERE. The submission window opens January 21, 2025, and closes Sunday, April 20, 2025, at midnight wherever you are. Proposals for individual presentations, flash talks, short films, critical AI projects, installations, performances, or BAHFest presentations should be no more than 250 words. Proposals for panels with multiple presenters may be up to 500 words. Acceptances will be announced on a revolving basis.
We invite conference attendees, both in person and virtual, to submit short films for the inaugural Kenneth Burke Film Festival. Those who wish to participate should submit pitches of 150-200 words for their films (also due by April 20, 2025). A film pitch is a brief but concise rundown of your film: title, premise, style, and thematic relevance. The pitch doesn’t have to completely summarize the film but should highlight a compelling idea that connects with the theme of this year’s conference (“Kenneth Burke, the Humanities, and Agency in the Era of AI”). Conference attendees whose pitches are accepted will be notified by April 25, 2025, and invited to submit a rough cut or trailer at the next step.
NOTE: The Burke Film Festival is its own unique event within the conference. Videos made for conference presentations/panels are not eligible to be included.
Completed films should be between five and ten minutes in length. All genres—documentary, narrative, experimental, adaptations, explainer, film essays, interpretation, etc.—are welcome, and other than sticking to the length constraints, all content and aesthetic choices are left to the filmmakers. (Use of generative AI is allowed so long as it is properly credited by the filmmaker.) We hope the film festival inspires imagination, innovation, collaboration, and critical engagement. Be creative!
For a few examples of what others have done, check out these short films with Burkean themes:
A rough cut or trailer (i.e., however much participants have been able to put together) will be due by April 30, 2025, for preview by the “studio execs” (i.e., conference organizers), and final cuts are due by midnight on May 15, 2025. Submission instructions will be included in the acceptance notification.
The Burke Film Festival will take place during the Kenneth Burke Society Conference. An exact date/time will be determined once the conference schedule is finalized. The festival will screen over Zoom, YouTube, and Vimeo. Links will be provided in the conference program.
Prizes: Grand Prize (Burke D’or): $500 gift card for Parlor Press books; Second Prize: $250 gift card for Parlor Press books; Third Prize: $100 gift card for Parlor Press books.
All films will automatically be reviewed for inclusion in the premier issue of a new video journal now in development (name TBD), as well as for publication in KB Journal.
Bonus: We will also be screening the world premiere of the trailer for David Blakesley's forthcoming documentary, The Wordman.
During the festival, viewers will be asked to vote on their top films. Winners will be announced at the end of the conference.
Any questions about the Burke Film Festival can be directed to the Film Festival Coordinator, David Williams (dgwilli@clemson.edu).
Happy filming, and we’ll see you on the red carpet!
Clemson University and the Kenneth Burke Society are committed to creating an accessible and inclusive environment for all participants, whether attending in person or virtually via Zoom. Presenters must provide the following accommodations: presentation slides in an accessible PDF format at least 48 hours before their session, accurate closed captions for any videos, alternative text for all images, and clear verbal descriptions of essential visual content. Sign language interpretation and real-time captioning will be available for both in-person and virtual sessions by request. If you need additional accommodations or have specific accessibility requirements, please contact Ashlyn Walden at acwalde@g.clemson.edu.
Asynchronous virtual presentations will be in the form of pre-recorded video hosted by the presenter “live” in Zoom, with additional interactivity in Gather. All presentations (papers, films, posters, flash talks, installations, performances) will also be curated in the interactive virtual space New Art City at the reincarnation of the Virtual Burkeian Parlor. Virtual attendees will have access to the Virtual Burkean Parlor in Gather, coordinated by Dave Rochlin (drochli@g.clemson.edu)
Some hearty KB travelers and local presenters will gather at the Post-Conference Festival/Pool Party/Wordman filming (hosted by ParlorFlix in Anderson, SC). If you'll be on site (or want to be), let Dave know (dblakes@clemson.edu).
Virtual presenters can ask for technical support to produce video presentations, installations, or other alternative formats. Email Andrew Okai (Program Coordinator) at aokai@g.clemson.edu or Ashlyn Walden (Accessibility Coordinator) at acwalde@g.clemson.edu.
The conference chair is David Blakesley (dblakes@clemson.edu). Hosts, program planners, and liaisons are students and faculty in the Rhetorics, Communication, and Information Design PhD program at Clemson University. Funding for the conference is provided by Parlor Press and the Kenneth Burke Society.
Presenters may submit a proposal in multiple categories.
Virtual Individual Presentations: Presenters will be asked to submit a recorded (video) presentation by May 15 (one week before the conference begins) and no longer than 15 minutes. The recording will be screened in Zoom, with the presenter available for commentary and Q&A. Individual presentations will be grouped by topic into 75-minute sessions. (250 words)
Panels/Roundtables: Panels will last 75 minutes, with each presenter allotted 20 minutes. Virtual presenters will be asked to submit a recorded (video) presentation by May 15 (one week before the conference begins) no longer than 15 minutes. The recording will be screened in Zoom or Gather, with the presenter available live for commentary and Q&A. (500 words)
Flash Talks: These are very brief presentations lasting only 3–5 minutes, designed to quickly communicate key ideas or research findings. A Flash Talk is a condensed version of a standard conference presentation, allowing speakers to focus on their most important points. The format emphasizes clarity and impact—speakers must grab attention quickly and deliver their message efficiently. Flash talks may include just 2–3 slides and are particularly useful for presenting preliminary research results, introducing a new concept or methodology, promoting a poster session or longer talk, or sharing a specific insight or innovation. Virtual presenters will be asked to submit 3-minute recorded presentations one week before the conference (by May 15). (150-200 words)
Film Festival Entry: These will be screened as part of the Kenneth Burke Film Festival in the “Open” category. Films should be no longer than 10 minutes and submitted no later than May 15 (one week before the conference), with submission directions provided to those who propose this format in their initial submission. (150-200 words)
Installations: Curated content or interactive media in New Art City. An installation may include collections of art, music, photographs, critical AI project, Burkean artifacts, recorded performances, games, or something entirely unexpected. (150-200 words)
Games: To supplement a special session, Kenneth Burke Jeopardy (in Gather), we welcome proposals for interactive games to play virtually (in Gather) or view (in New Art City). (250 words, 3 or fewer images)
BAHfest Presentations: See https://bahfest.com/. These are a celebration of "Bad Ad Hoc Hypotheses” (e.g., well-argued and thoroughly researched but completely incorrect theories or interpretations of Kenneth Burke or the topics of the conference theme). A BAHFest presentation may be presented virtually (via pre-recorded video) and will be allotted 10 minutes of presentation time. Watch an example: Katherine Read: Bipedalism: A Fear Response? (BAFFest London 2019): https://youtu.be/AmJiXKqRKxk?si=yo-rsvdtFNa_IffZ. BAHFest presentations are part of the Games/Fun thread of the conference program. (250 words)
Seminars: A distinct highlight of past KBS conferences has been the seminars, which allow participants to focus on important subjects in depth before and throughout the conference. These seminars will meet virtually (in Gather) three times throughout the conference. Virtual attendees may submit seminar proposals, which require an overview and a short reading list. All participants may sign up for seminars before the conference after they have been announced (April 15). For an example of past seminars, review these: https://www.kbjournal.org/seminars2011. (250–500 words)
>> Gather Landing Page: https://bit.ly/kbs2025-gather
>> New Art City Virtual Burkeian Parlor: https://bit.ly/virtual-kb-parlor
All times are Eastern
Share with friends, colleagues and Burkelers everywhere, including on social media!
Zoom: https://bit.ly/kbs2025-zoom-counter
Hosted by Eddie Lohmeyer, Clemson University
New Art City Info Hub (overview)
Jack Selzer, Penn State University,
“Andover: Kennth Burke's Place"
Gabrielle Wilkosz, Clemson University
“Rotten with Perfection”
David Blakesley, Clemson University
“The Making of The Wordman”
New Art City and Gather Spaces Open (8 am until Sunday at noon)
Gather Landing Page: https://bit.ly/kbs2025-gather
New Art City Virtual Burkeian Parlor: https://bit.ly/virtual-kb-parlor
All times are Eastern
Zoom: https://bit.ly/kbs2025-zoom-counter
Jainab Tabassum Banu, North Dakota State University
“Whose Voice Is This? Agency, AI, and the Burkean Writer-Self”
Taylor J. Wyatt, Clemson University
“Burke, Aristotle, and Hexis in a World of Generative AI”
Anastasia Pestova, George Mason University
“Rhetorical Understanding in the Age of AI: A Burkean Framework”
Zoom: https://bit.ly/kbs2025-zoom-statement
Emily Crum, Clemson University
“The Man Behind the Curtain: A Humanistic Inquiry Into GenAI as Terministic Screen”
Melissa McCarter
“Toward an Electric Ethnography: ‘AI-to-Hum’ Ethics of Care Rooted in Burke’s Rhetorics and Ulmer’s Electracy”
Amy Lea Clemons, Ohio State University
“’Slow down, TRACI’: Rhetorics of Perfection in GenAI’s Own Pentad”
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: Andrew Okai, Clemson University
Galen R. Faison, Clemson University
“Taking on the Skin of the Other—Exploring Afrofuturism, Piety and Perspective through Second-Person Narrative”
Annie Laurie (Cobalt) Nichols, Georgia Southwestern State University
“Identifying with AI: Moving Beyond the Other”
Camille Lewis, Furman University
“In the Good Old Days (When Times Were Bad): Dolly Parton as Burkean Comedian”
Zoom: https://bit.ly/kbs2025-zoom-statement
Chair: Felix T. Nyikwagh, Clemson University
Drew Stowe, Anderson University
“From Kitchen to (Terministic) Screen: A Burkean Analysis of ‘Celebrity’ Chefs, Culinary Literacy, and Digital Age Implications”
Josh Herron, Clemson University
“Generative AI and Online Food Cultures”
Zoom: https://bit.ly/kbs2025-zoom-counter
Jarron Slater, Brigham Young University
“Kenneth Burke and ‘The Constants of Humanity’: Preparing for Counter-Statement’s Centennial in the Age of AI”
Discussion and development of an edited volume celebrating the 2031 centennial of Counter-Statement to be published by Parlor Press. The CFP will be released during this session. Attendees can prepare by reading Counter-Statement, or at minimum, especially “Preface to the First Edition,” “Preface to the Second Edition,” “Psychology and Form,” “The Poetic Process,” “The Status of Art,” “Program,” “Lexicon Rhetoricae,” “Applications of the Terminology,” “Curriculum Criticum,” and “Addendum.”
Zoom: https://bit.ly/kbs2025-zoom-counter
Lucy Manley, Clemson University
“Talking to Machines: Burke & Dewey in the Classroom”
Amanda Adam, University of Ghent
“Engaging Students beyond Prompts: An Analysis of Aesthetic Pieties in Student Creations”
Chase Redd, University of Maryland
“An Incongruous Perspective: Reading Burke as a Graduate Student in the Era of AI”
Zoom: https://bit.ly/kbs2025-zoom-statement
Chair: David Williams, Clemson University
Mary McDermott, Clemson University and DeSales University
“Eno(s), Burke’s Rhetorical Theory and What Generative Filmmaking Portends for the Future of Cinematic Storytelling”
Byron Hawk, University of South Carolina
“Letting Go of ‘Agentness’ through Indigenous Listening”
Film Festival, Music, Games
Zoom: https://bit.ly/kbs2025-zoom-counter
Moderator: David Williams, Clemson University
Tyler Herrman, Clemson University
“Write Me” (Film)
Stephen Paur
“Definition of Machine” (Film)
Jana Liberato, James Madison University
“Reviving the Author: An Interdisciplinary Excavation of Rhetorical Ethics”) (Game; 3D XR experience)
Joel Overall, Belmont University
“’Sarrusophone Surrounded’: A Kenneth Burke Musical Premiere”
Gather Landing Page: https://bit.ly/kbs2025-gather
Gather Landing Page: https://bit.ly/kbs2025-gather
New Art City Virtual Burkeian Parlor: https://bit.ly/virtual-kb-parlor
All times are Eastern
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: David Blakesley, Clemson University
Rochelle Gregory, University of North Texas, Ben Sword, Tarleton University, and Marc Azard, Collin College
“Revisiting Terri Schiavo’s Death Twenty Years Later: Kenneth Burke’s Psychology of Form and the Emerging Influence of AI”
Kris Rutten, University of Ghent
“Attitudes Toward Mental Health: Cultural Narratives as Equipment for Living”
Heather Hartness, Northwest Florida State College
“From Libbie to Alexa: The Gendered History of Care and Knowledge Work”
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: Felix T. Nyikwagh, Clemson University
David Cratis Williams, Florida State University
“Special Rhetorical Operation: Putin’s Deployment of Redefinitional Tropes in Ukraine”
S. Andrew Stowe, Anderson University
“From Hero to Anti-Hero: A Burkean Analysis of Lance Armstrong’s Identity Performance and Contemporary Strongman Rhetoric”
Zoom: https://bit.ly/kbs2025-zoom-statement
Chair: Christian Taylor, Clemson University
William Schraufnagel, University of Illinois Chicago
“Faith and Order in Walter Pater and Kenneth Burke”
Shiva Mainaly, University of Memphis
“The Rhetoric of Identification in the Age of AI: Affordances, Alpha Persuasion, and the Burkean Paradigm”
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: Victoria Banks, Clemson University
Houman Mehrabian, University Canada West, Vancouver
“Quantities of Hate: Kenneth Burke, Mechanisms of Amplification, and Digital Technology”
Frederick Fre-Ere Sunkpal, Clemson University
“Combat Robots as Symbolic Agents: A Burkean Analysis of Anthropomorphism in Human-Robot Interaction”
Lane Riggs, Clemson University
“Criminal Drones: Surveillance Technologies at the U.S.-Mexico Border”
Zoom: https://bit.ly/kbs2025-zoom-statement
Chair: Dave Rochlin, Clemson University and UC Berkeley
John Falter, Clemson University
“The Tower: Centrality, Persuasion, and AI”
Taylor Henry, Clemson University
“Critical AI: Generating Dreams as Liminal Spaces”
Christian Taylor, Clemson University
“Spinning a Yarn: Using Twine to Tie Burkean Theory Together for Students”
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: Victoria Banks, Clemson University
Joshua Smith, University of Nevada, Reno
“A Dramatistic Approach to Alabama Story”
Zach Kemp, University of Nevada, Reno
“Don’t Say CRT: Divisive Concept Laws as Enthymemes”
Jim Webber, University of Nevada, Reno
“Can Public Moral Argument be Comic?: Or, Walter Fisher’s Missed Encounter with Burke”
Cody Hunter, University of Nevada, Reno
“Acting out to Remake our Habits: Using Naked Lunch to Elaborate the Ambiguity of LLM Toxicity”
Zoom: https://bit.ly/kbs2025-zoom-statement
Steven B. Katz, Clemson University
“What If ‘Word Man’ Were Literal? Golems, AI, and Kenneth Burke in the Diaspora of Western Philosophy”
Jared Jameson, Clemson University
“Kenneth Burke’s Meta-Biological Artifice: How the Lives of the Non-Living Have Now Forever Changed Humanity”
Zoom: https://bit.ly/kbs2025-zoom-counter
Chair: Christian Taylor, Clemson University
David Blakesley, Clemson University
David Williams, Clemson University
Learn about this documentary film, assets and curation, and the film treatment. Share your ideas!
Hosted by Eddie Lohmeyer, Clemson University
Jack Selzer, Penn State University
“Andover”
Gabrielle Wilkosz, Clemson University
“Rotten with Perfection”
David Blakesley, Clemson University
“The Making of The Wordman”
Zoom: https://bit.ly/kbs2025-zoom-counter
Jack Selzer, Penn State University
“Andover: A Guided Tour”
Plus surprises!
Gather Landing Page: https://bit.ly/kbs2025-gather
New Art City and Gather Spaces are open from 10:00 am to noon
Gather Landing Page: https://bit.ly/kbs2025-gather
New Art City Virtual Burkeian Parlor: https://bit.ly/virtual-kb-parlor
All times are Eastern
Zoom: https://bit.ly/kbs2025-zoom-counter
All current members of the Kenneth Burke Society are encouraged to attend and be ready to nominate and approve officers.
Zoom: https://bit.ly/kbs2025-zoom-counter
2:00 pm – until the hour grows late and we must depart.
In-person
For more details and to RSVP, see the Google form: https://bit.ly/kbs2025-festival
Directions to David and Julie Blakesley’s House/Parlor Press (20 minutes east of Clemson)
The address is:
3015 Brackenberry Drive
Anderson, SC 29621
765-409-2649 (c)
Google Maps: http://goo.gl/cM3Rn
Parking: along Brackenberry Drive, going up the hill. The driveway is large, so there are some spaces there, too.